Dripping paint: Research resolves annoyance that hindered Michelangelo’s ‘The Creation of Adam’

More than 500 years ago, Michelangelo spent four years painting “The Creation of Adam” on the ceiling of the Sistine Chapel, struggling with paint dripping onto his face. He described the process as “closer to torture than painting.” Now, researchers at KAIST have developed a technology that can effectively “hold up falling paint.” Beyond ceiling paintings, this principle could help solve the problem of liquid films collapsing on inclined surfaces, with potential applications in precision coating, electronic circuit printing, 3D printing, and fluid control in space environments.

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